Review by Terrance McArthur
As soon as you are born, it is placed in your ear: a bean-shaped object, the Data Gathering Device. It sends out streams of 1s and 0s, monitoring vital signs, events, thoughts. It reminds, suggests, directs.
The Algorithm
In the Algorithm We Trust is Ryan David Ginsberg’s dystopian satire of a United States where life is controlled by The Algorithm. Experiences are planned, friendships and relationships are experiments that give 1s and 0s that help The Algorithm determine jobs, partner compatibility, parenting skills, leading to the Perfect Match, who would be met in Knoxville, Tennessee.
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Zoos are now prisons for people who do not fit America’s new Algorithm: Foreigners, journalists, politicians who resisted Haddington’s rise. The Empire State Building is now a giant incinerator for burning books, magazines, documents—anything before the Siege of Washington. Anyone suggesting the Algorithm might lie ends up in the “zoo,” pelted with food, rocks, and garbage by laughing tourists, and forced to fight the others on exhibit.
The story follows Hugo Rodriguez from birth to his perfect adulthood, as dictated by The Algorithm—assigned pets, assigned Romantic Data Gathering Relationships, an assigned Parenting Experiment, all aiming toward Knoxville and the Perfect Match.
Some of it sounds peculiar. Some of it sounds disturbing. Some of it sounds familiar. Ginsburg has fabricated a nightmare world in the footsteps of 1984 and Brave New World. Headlines, conspiracy theories, and technology combine into something that could be, shouldn’t be, better not be. The more you read, the more it looks like a mirror.
The Algorithm is always right. Or is it?
You can click here to purchase this book.Disclosure: This post contains links to an affiliate program, for which we receive a few cents if you make purchases. KRL also receives free copies of most of the books that it reviews, that are provided in exchange for an honest review of the book.Terrance V. Mc Arthur is newly retired as a Librarian in Fresno County, California. He is also a storyteller, puppeteer, magician, and maker of pine needle baskets. On top of that he writes stories that range from rhymed children's tales to splatterpunk horror. He's an odd bird, but he's nice to have around.

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